When it comes to shooting solo, having a high-quality camera that offers a range of professional capabilities can make all the difference. That's where Sony's new Burano comes in – the latest addition to our CineAlta lineup of digital cinema cameras that is designed for single-camera operators and small crews. With the Burano's exceptional image quality and mobility, this gives filmmakers more creative freedom to capture stunning cinematic narratives, regardless of the scale of the production.

A new era in cinematography: Our smallest full-frame CineAlta camera to date, the Burano has a compact and lightweight body that allows for greater portability.

Smarter shooting in 8K: It’s the world's first digital cinema camera with a PL-mount to feature a built-in stabilisation system, effectively minimising camera shakes during handheld or moving shots.

Shoot the way you want: A versatile companion that effortlessly adapts to your shooting needs, it comes equipped with a multi-purpose touchscreen LCD monitor, a flexible mounting system and a robust handle for easy configuration.

To showcase the full potential of this all-in-one powerhouse, we’ve collaborated with established cinematographers to produce a series of short films shot entirely with the Burano. Let’s take a look into the behind-the-scenes of how each team brought their cinematic visions to life.

At the Motel by Stefan Duscio, Sam Corlett

Hailing from Australia, award-winning cinematographer Stefan Duscio – the mastermind behind critically-acclaimed works like The Dry, Shantaram, and The Invisible Man – created a cinematic film titled At the Motel. It was written and directed by Australian actor Sam Corlett, improvised with just a small cast and crew over one weekend.

The poetic, non-linear film reflects Duscio’s bold creative choices, from the expressionistic colour palettes down to the dynamic highlights and detailed shadows. He says, “I really wanted to put the camera’s dynamic range to the test. And the Burano passed with flying colours.”

Sum of One by Mostafa Fahmy, Adi van der Walt

A collaboration between celebrated filmmakers from all over the region, Sum of One is helmed by Middle Eastern cinematographer Mostafa Fahmy and directed by Adi van der Walt.

This short film is “a fusion of different characters, flavours and spaces”, all coming together to weave a rich tapestry of interconnected stories. To achieve that, the team played with the lens flexibility to cater to diverse shooting styles, depending on the type of scenes. The result is a truly immersive piece that transcends the boundaries of traditional storytelling.

“This camera is a catalyst that will make people go faster in their jobs because it’s easier,” says Fahmy. “And you can do it alone, or with little assistance.”

Pedal by Jorrie van der Walt, Izette Mostert

A seasoned director of photography in the South African film industry, Jorrie van der Walt teamed up with fellow director Izette Mostert to create Pedal. This documentary-style film takes us on a journey into the lives of a group of individuals in Kayamandi, brought together by their shared love for one sport – cycling.

For Jorrie, he wanted to put the camera to the test in various challenging environments.

The Burano is capable of tracking fast-moving subjects with exceptional focus accuracy and clarity, which is evident in many of the outdoor cycling scenes featured in Pedal. The team also depended a lot on its autofocus capabilities, especially when it comes to candid reality-style shots.

“It’s a game-changer,” he concludes.

With its advanced cine-style functionalities and ergonomic design, the Burano proves to be a highly versatile and efficient camera for every type of project – whether it’s scripted productions or documentary storytelling.

For more details on Burano's availability, please visit the respective Sony sites for your country to find out more.